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If you’re a videographer and you need to create some special effects, chances are you’re probably already thinking of Adobe’s After Effects. It’s been available for 24 years and under the stewardship of Adobe since 1995. Just like Premiere, it is a powerhouse for videographers and often the only app they need to transform shots, apply effects and create dazzling titles.

So what has the 2017 version of Adobe After Effects CC brought to the table to entice graphic designers to upgrade?

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Lumetri scopes

Well, let’s start with the biggest and most important change: the introduction of Lumetri scopes. They reside in the After Effects Color workspace, and you have different waveforms and vectorscopes to choose from, depending on the calibration you’re intending to make.

Obviously these tools are designed to help you with colour correction, and the Effects Controls grant you access to a Colour Correction Lumetri, where all the parameters are at your disposal to create vibrant, colour-accurate versions of your original clips.

What’s really important here is that this is all about video, not still images, and colour can and does change over time. Which is why these scopes offer real-time feedback (depending on your computer’s processing power). This is a really big step forward because up until recently, no Adobe tool had real-time scopes, but after a careful acquisition, the firm has improved the multi-scope technology it purchased, and moved it across the board, which means it’s also available in Premiere Pro.

Speaking of Premiere Pro, one of the most interesting developments is the Essential Graphics Panel. We explore how you can use and edit Motion Graphics Templates in our review of Premiere, but After Effects is obviously where those templates are actually created. There’s an Essential Graphics Panel here as well which is where you can build those complex template effects.

Template wizardry

Setting up a new template is incredibly easy. You can give it a name, set a poster frame, and pick the parameters you wish to add to the list. Any parameter you add via the Supported Properties section will then be modifiable in Premiere Pro. You can change every conceivable parameter in After Effects, but the idea is to give editors a degree of flexibility when using a template in Premiere Pro without overwhelming them with options they don’t actually need. For instance, you can keep the text field editable as well as the colour of a lower third’s backdrop, but you can lock its transparency.

Not every parameter can be modified in Premiere Pro even if you wanted this. For instance basic transform properties like position, scale, rotation and anchor point cannot be added, but surprisingly, plugins can be included in the list, although not only must After Effects be installed on the PC you’ll share the template with, that plugin will have to be present as well.

Once you’re happy with your template, you can save it to your library or even to Creative Cloud to share it with others. The template encapsulates everything in its file, including any media you’ve used, making it incredibly easy to move around from computer to computer or user to user without fearing you’ve forgotten to include a crucial file. After Effects takes care of everything for you.

Stabilisation chops

Adobe has also improved the app’s stabilisation tools, which represent a combination of cropping and on-the-fly rotation to smooth out the movement in your shot. This is usually quite processor intensive, especially for a long video clip.

While the results are good and in fact better than previous versions of After Effects, you may still encounter the odd frame that’s been blurred in the process, especially if the original shot was too jerky. With that in mind, After Effects has the Camera-Shake Deblur effect. As you might expect, this too is a processor intensive effect, but it can do a great job of rescuing blurred frames, especially if you use the high quality Deblur option.

Another welcome addition to After Effects is GPU-based acceleration via Open CL. This has been incorporated into After Effects for a few years now, but Adobe has now begun to use it to accelerate some of the special effects it offers.

Historically, if you’d applied an effect to a clip, every frame that had been cached with those changes would have to be dropped and rebuilt should you make even the slightest alteration to the effect. And yes, the frames still have to be rebuilt with After Effects CC 2017, but now that it uses the GPU, this task is incredibly fast. Again, this obviously depends on your computer’s processing power, but this process can happen in real-time, or even significantly faster.

The advantages are obvious: rather than wondering if it’s worth waiting yet again to tweak a value to get that perfect look, you can now refine your effect with greater precision without having to wait for the render to happen every single time you change a single parameter.

Final verdict

This is probably the biggest takeaway of this latest version of After Effects. Just like Premiere Pro, most of the changes have been made under the hood, and are all designed to help speed up your work by pushing everything – or as much as possible – out of the way of your creative process. As a result you will be able to produce better results in less time than before, and that in itself is really the best reason to upgrade.

Note that you cannot purchase After Effects as a standalone product. Rather, it has to be bought via the subscription model (as part of Creative Cloud), but the advantage here is you don’t have to think too long and hard about whether to upgrade or not. If you like what you see, upgrading is simply part of the monthly fee you pay Adobe for the use of its apps, and in the case of After Effects CC, the advantages to your workflow make this pretty much a no-brainer.

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Jan 04,2019• Proven solutions

The post production process has more than just one step, and editing footage doesn't stop after all the video clips are pieced together. Once your work in Adobe Premiere Pro is finished, the project you are working on is ready for the Adobe After Effects, a software that enables you to add special effects or perform actions such tracking or keying. Here are some pro tips that can speed up the editing process in Adobe After Effects and make it more efficient.

This is a basic tutorial about After Effects, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora, which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.

Top 10 After Effects Tips and Tricks

1. Drag and drop files from a folder directly to the timeline

Save time importing files you want to edit by dragging them from the folder and dropping them directly to the timeline. Right-click on the file on the timeline and select the Reveal in Finder option to access the folder that contains your footage.

2. Use Pan-Behind tool to position the anchor point

Adjust the position of the anchor point by using the Pan-Behind tool. At times relocating the anchor point to the edges of a layer may enable you to apply the effects you want. Simply click on the Pan-Behind icon and hold the Command key or Control key if you are a PC user and find the perfect position for the anchor point.

3. Utilize Duplicate Layers feature to add new layers to your project

Using keyboard shortcuts is an efficient way to save time. If you would like to create a new layer, click on the existing one in your project and then just hit Command +D. This action will automatically add another layer and you can also use it to duplicate effects.

4. Add Composition & Layer Markers from a keyboard

Markers are powerful editing tools that enable you to have more control over the effects you are applying to the video. In order to create a layer marker, select the layer and press *, this action will create a new layer marker. However, if you would like to create a composition maker make sure that no layers are selected and then press *.

5. Activate AE auto save and make sure your project is safe

Before starting to work on a project make sure that the auto save feature is enabled. In order to do so, click on Edit and then select Preferences. From the drop down menu, select the Auto Save option and then check the Automatically Save Projects box.

6. Save Frames to show samples of your work

If you need to show your clients how your work is progressing, save a single frame instead of rendering the whole project. You can save a single frame by navigating to Composition > Save Frame As. From File and Photoshop Layers options, select the File option and set the output format.

7. Modify AE keyboard shortcuts

Keyboard shortcuts are a crucial time-saving factor during the post production process. After Effects allows you to modify and set your own shortcuts, unlike Adobe Premier Pro. However, you have to download KeyEd Up script that is completely free, but you must be a registered Adobe Suite user.

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8. Use Align tools to position objects on the canvas

If you are working with a large number of objects in AE Align option can be quite useful to help you organize them better and faster. Align box should be located in the upper or lower right corner, but if you can't see it there go to Window and select Align.

9. Replace content in the timeline faster

There are faster ways of replacing the content in the timeline than dragging it from the media bin and dropping it to the timeline. To perform this action faster select the layer you want to replace and hold the ctrl + alt and then drag the new layer to the preview window.

10. Use System Color Picker to fine-tune colors on your images

Working with colors in AE can be a lot of fun, but if you are working on a large project there is a way to minimize the amount of time you need to find the colors you want. Go to Edit > Preferences and click on General, then make sure to click on the System Color Picker check box.

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